![]() ![]() In case the name Harrison is not familiar, to you, they are best known for the top‑end, large‑format consoles used to mix all your favourite films, as well as a little collection of toe‑tappers called Michael Jackson's Thriller. Many of the features described in this review are, of course, common to Ardour and Mixbus, but for the sake of simplicity I'll refer to Mixbus throughout. Mixbus itself is thus not open‑source, as the mixer uses proprietary code developed by Harrison Consoles. Broadly speaking, it combines the existing Ardour recording and mixing functionality with a custom mixer. Mixbus is a customised Mac OS X version of the open‑source program Ardour (which, unlike Mixbus, is also available for the Linux platform). |t was with this notion in mind that the makers of Mixbus set out to create a new DAW that, while not reinventing the wheel, improves in areas where others fall short and offers something no other DAW can boast: a million‑dollar mixer. Just about every music production professional, amateur and even dilettante is already committed to one of the current crop of major digital audio workstations, and so fully entrenched in its eccentricities that switching to another is probably not a viable consideration. Note the red gain‑reduction meters of the compressor.ĭoes the pro audio market need another digital audio workstation program? Harrison Consoles and Ardour believe the answer is 'yes'. ![]() Easy access to EQ and compressor controls is one of its strengths. And the ability to create folders and assign colors to audio clips and sequences within the clip sidebar makes it easy to keep track of and distinguish different elements of my live performance.Here you can see I'm using Mixbus as the mixer for my Logic session, a great way to get your feet wet with the new program. I really appreciate being able to quickly and easily access and trigger audio clips and sequences during a live performance by simply clicking on them in the clip sidebar. It's a dedicated panel that displays all the audio clips and sequences I've imported or created in a project, along with information about their length, color, and location within the project. Additionally, I have found the clip sidebar feature to be incredibly useful. The cue function is also great for triggering automation events like changes in volume, panning, or effects processing by creating automation curves for specific tracks or busses. Setting up audio clips and sequences is straightforward - I can import audio files or create MIDI sequences within the program and then arrange them on specific tracks or busses. ![]() It allows me to set up and trigger audio clips and sequences on the fly, without interrupting the flow of the performance. I recently started using Ardour for live performances and have been really impressed with the cue function. ![]() The software also helps users record automation data and utilize the mix groups functionality to control the basic properties of soundtracks, such as record enable, solo, or mute. It also offers a stop and forget feature, which lets users cancel a recording pass and quickly recover disk space according to requirements.īusinesses can add blank frames in videos and lock audio and MIDI regions to the video for maintaining video-frame granularity. Editors can extract soundtracks from imported videos, route multichannel tracks to separate mixer strips, and view the frame-to-frame timeline of the video. Supervisors can utilize various input monitoring options and layered or non-layered recording modes to combine master records and individual tracks.Īrdour allows organizations to undo/redo edits and identify overlapping regions across tracks using the vertical stacking mode. Ardour is an on-premise software that provides businesses with tools to upload and edit audio clips on a centralized platform. ![]()
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